The fear of recognition by some one from Gavrillac or Rennes had been strong upon him. His face was sufficiently made up to baffle recognition; but there remained his voice. To dissemble this he had availed himself of the fact that Figaro was a Spaniard. He had known a Spaniard at Louis le Grand who spoke a fluent but most extraordinary French, with a grotesque excess of sibilant sounds. It was an accent that he had often imitated, as youths will imitate characteristics that excite their mirth. Opportunely he had bethought him of that Spanish student, and it was upon his speech that to-night he modelled his own. The audience of Guichen found it as laughable on his lips as he and his fellows had found it formerly on the lips of that derided Spaniard.
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Oh you are to
You ll say I
On the roof of
At five o clock
But even in silver
And to day he
It was a beautifully
There were no relatives
A footman swung to
Andre Louis was going
At five o clock
Acclamations broke out unstintedly
You hear him the
If you are caustic
You are one of
At five o clock
For a moment the
Could you assist me
He knew that in
I was forgetting Complain
As they approached the
I return solely because
When a half hour
The thin lips of
Burn them at once
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